Rae Stern: In Fugue
2019 - 2020
Slip-cast porcelain lithophanes, custom designed digital components and LED lights, lithium-ion batteries, 3D printed TPU, vintage furniture, acrylic paint, pulp
The exhibition was made possible with the generous support of Dick and Evelyn Belger, Belger Arts, and Asylum Arts. See additional acknowledgments below.
Outside Time was recently on view at the Virginia Museum of Contemporary Art
11/27/2021 - 3/6/2022
Hypomnemata was recently on view at the Leon Family Gallery, at the UJA Tidewater, VA.
Debuted at the Belger Arts Gallery, Rae Stern: In Fugue presented two corresponding bodies of work named “Outside Time” and “Hypomnemata”. The new work focuses on the elusive and ephemeral nature of memory as both a personal and universal phenomenon. Using mixed media, Stern revisits the memories of families affected by persecution. Through the manipulation of translucent attributes of porcelain and paper, and with innovative use of digital technology, the works pose questions about the relationship between object, memory, and time.
Reaching out to Holocaust survivors and their descendants, Stern established a framework for community engagement. The images were collected over several months, during which Stern interviewed many of the image contributors.
Following a long R&D process, Stern devoted an entire year to create the artwork at Belger Crane Yard Studios, where Tommy Frank, Michael Baxley, Katie Pitre, Joseph Hutchins, Elinore Noyes, Saj Issa, Clay Jarratt and Lucas Latimer assisted the project in different capacities.
Creating the work at a studio open to the public enabled Stern to interact with visitors on a daily basis. Groups of K12 and college students visited the studio to see the work in progress and discussed with her the conceptual relevance to current geopolitical shifts.
Stern sees an urgency in presenting this exhibition while survivors are still able to tell their stories and interact with the general public. The importance of the timing is amplified in the context of the international refugee crisis and rise in racism, xenophobia and hate speech.
Much like a musical fugue, the exhibition introduces elements that successively develop while they are interwoven visually and conceptually in a dynamic composition. The tension between repetition and change, and between memory and amnesia, alludes to the imminent threat of a present day reoccurrence.
Exhibition preview directed and produced by Johanna Brooks.
Filmed on site at the Belger Art Center and Crane Yard Studios, Kansas City, MO. 2019-2020
Additional footage by Saj Issa, Cydney Ross and Katie Pitre.
Professional Photography by T. Maxwell Wagner.
Personal narratives are often passed from one generation to another as fragmented recollections. They come to light for a brief moment, only to fade away again. By recreating the images in paper (Hypomnemata) and in porcelain (Outside Time), the impermanence of each medium is exposed.
Hypomnemata
To create the large scale translucent paper, Stern manipulated the thickness of the pulp without using any pigment. The daylight shines through the thinner parts of the handmade paper, exposing the image. Continue reading…
Outside Time
As an immersive experience, the installation presents dozens of porcelain objects that upon touch light up from within, exposing hidden lithophanes. Combining innovative technology with traditional techniques, the work examines the elusive and ephemeral nature of memory… Continue reading…
Collected Memories
In 2019, Stern invited local residents of Kansas City to share images and family narratives to be used in her new body of work. The contributors were interviewed and the collected images were incorporated in the work alongside images she collected from the personal archives of her own family and friends. Explore the images…
Acknowledgments
The exhibition and catalog for Rae Stern: In Fugue were made possible by the generous support of Dick and Evelyn Belger. Creating this body of work would not have been possible without their unwavering commitment to realizing this project.
The project was also supported by -
Irene Bettinger
Joan & Steve Israelite
Team at Belger Arts
Michael Baxley
Mo Dickens
Tommy Frank
Cheryl Gail
Joseph Hutchins
Clay Jarrat
Chandler Martin
Emily Young
Assistants & Interns
Katie Pitre
Elinore Noyes
Lucas Latimer
Saj Issa
Exhibition Catalogue
Essays by Glenn Adamson and Margaret Carney
Design by Dan Saal and Erika Brask
Edited by Anne McPeak
Community Support and Involvement
Carriage House Paper - Shannon Brock
Cooper-Hewitt Museum of Design Library - Nilda Lopez
GEO - Design Engineering Services, Inc - Yaniv Ben Asher
Hammerspace - Craig Berscheidt and Tom Newell
Kansas City Art Institute - Cary Esser
Lawrence Lithography - Mike Sims and Debbie Thoenen
Midwest Center for Holocaust Education - Jean Zeldin and Shelly Cline
Metropolitan Community College - Chris Page and Tiffany DaVinci
Naschitz, Brandes, Amir & Co., Advocates - Sharon Amir and Asa Kling
Nelson-Atkins Museum of Art - Catherine Futter and Jake Ludemann
United States Holocaust Memorial Museum - Suzy Snyder
21c Museum Hotel - Jori Cheville
Art Medica, Liron Elia
Kansas City Art Community
Daniel Altnether, Christen Ann Baker and Eric McLaughlin, Thayer Nicholas Granstrom Bray and Kate Schroder, Andy Brayman, Elaine Buss, Pierce Haley, Philipp Eirich and Melanie Sherman, Jo Kamm and Rachel O'flannagan, Wansoo Kim, Paul Mallory, Vicky Mayer, and Cydney Ross.
Personal Thanks
Sarah Bard, Ofra Bloch, Guy Elisha, Lucy Feller, Leslie Ferrin, Eromar Gomes, Alon Harris, Madlen Kanzieper, Yuval Klein, Daisy Patton, Hall Rockefeller, Ted Rowland, Noam Schechter, Steve Schechter, Kathleen and Bill Stafford, Julia Vogl, Gabriella Willenz,
Elia, Ben and Yaniv Stern.